Monday 26 March 2012

Learning Agreement


NAME:                                   Andrew Layton      

COURSE:                             BA (Hons) Costume with Performance Design        

UNIT TITLE:                                    Self Directed Project                    

REF. NO./LEVEL:               CSS518

WEIGHTING:                        2.0      

DURATION:                         9 Weeks       

HOURS OF STUDY:          300 Hours    

Unit Leader:                         Adele Keeley/Graham Cottenden



Your Blog address:           www.andrewlayton.blogspot.co.uk



DESCRIPTION:



Working on Moving Tides will allow me to develop skills in the industry of carnival and parade. Creating costumes that will be made and worn by Weymouth school children in the spirit of the sea moving tides carnival. The carnival this year has a strong sea theme and all costumes should be designed to fit this theme. The Moving tides parade will also be incorporated with the Olympic torch relay in Weymouth this year, using the colours of the Olympics as a secondary theme.



Throughout this project I will develop my understanding of costume in carnival, looking at materials, decoration and construction techniques. Researching past carnivals from around the word will be key to creating the costumes for moving tides. I will also be designing on a budget, this will mean experimenting with materials to create cheap yet effective construction techniques and solutions. Planning lessons will be a key part of this project, taking key notes when creating a costume prototype to ensure effective and time managed workshops are applied in schools.



I decided on the Moving Tides project as I wanted to focus on carnival and live performance costume design and construction. It has always been a keen interest of mine to create costumes of unique and individual scale and form; this is key in that of carnival and parade costume. I also feel this project allows for a lot of experimental and sample work, looking at new and alternative materials and techniques compared to those of which would more commonly be used in traditional theatre. This project also allows me to develop skills in budgeting, time management and organisation; working on these skills will help me progress into a more professional mind set.



On handing in this project I will submit a sketchbook of work, this will include research relevant to carnival and parade costume design. Looking at size and shapes often used in the carnival industry, research of relevant materials will be evidence throughout the sketchbook also. Evidence and reports of construction techniques and workshops attended ( willow, headdresses, make up) this will include photographs, sample work, written reports and blog entries. My design development stages will be evidenced with reflective annotations to support my ideas; this will also be supported by suitable sample and experimental work. Alongside my creative sketchbook outlining designs and workshops, I will also be submitting a work book of lesson plans, budgeting sheets and any other official Moving Tides paper work. my costume prototype that will be used in schools will be submitted as a 3d representation of how the design will be realized.







Aims:



A1       To provide opportunities for self-initiated, autonomous learning

            and develop the ability to plan time and work independently



A2       To provide opportunity to study the contextual development of costume and performance design



A3       To further develop the creative, intellectual and practical applications of research and contextualisation within a self initiated environment



A4       To propose, develop and evaluate professional aspirations through professional development planning



Learning Outcomes:

On completion of this unit you will be able to:



LO1     Identify and define the context for the development of your own work towards professional aspirations



LO2     Demonstrate an understanding of the development of Costume with performance design

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LO3     Have developed the creative, intellectual and practical applications of research and contextualisation



LO4    Consolidate and demonstrate professional aspirations and planning                     





Assessment Requirements:



A body of work consisting of a design sketchbook evidencing workshop preparation, a prototype costume and headdress for a dance leader plus a reflective blog outlining schools workshops and personal development. Under pinned by personal development planning (in your blog journal) and a final written evaluation (750 words) evidenced in your Blog               100%







Each assessment requirement must be passed at a minimum grade of 40% to successfully complete the unit





Assessment Criteria (specific criteria related to the learning outcomes and linked to the statement of generic assessment criteria matrix):           

           

1.   Evidence of knowledge of contextual and theoretical issues – The level to which you have considered the context of your project and evidenced that to your body of work (LO1, LO2)



2.   Evidence of understanding through synthesis and development – The application and extend to which research has informed decision-making and project development together with the appropriate management of time (LO2, LO3, LO4)



3.   Evidence of evaluation and reflection – The extent to which you have reflected on the progress of your project and used it to inform personal development planning (LO4)



4.   Evidence of realisation through the communication of ideas - The presentation of your work and the level to which specialist knowledge has been applied, communicated and evidenced (LO3, LO4)



Reference Material



This will vary according to the needs of the individual project.  You will define Reference Material through personal investigation and consultation with staff and list it in your Learning Agreement.



Carnival! - Barbara (ed) Mauldin

The Venice Carnival - Paolo Alei, virginio (phot) Favale

Theatrical Costume, masks, make-up, and wigs - Sidney Jowers

Masks of the world - Douglas Congdon-Martin, Jim Pieper

Parade of Colours - Cirque Du Soleil







STUDENT……………………………………….DATE………………..



TUTOR…………………………………………..DATE………………..

Wednesday 21 March 2012

Presenting to the Moving Tides Team

The big day has arrived! designs have been seen by the moving tides team and the make up students that will be working along side our costumes. This was the first time since being on CwPD that i have presented to a group of people that are not just my peers and tutors, got to admit it was a little scary but it went well. i feel i was well prepared to present my design and was confident in my head dress design, this allowed me to translate all relevant information as well as give alternative  suggestions to construct the design.



Presenting my design in both 3D and 2D helped greatly with translating the idea of the head dress and how it will be developed; having the 3D model to show scale and shape and the 2D designs showing the full costume concept and pattern work.




Monday 12 March 2012

Plastazote and Willow


The plastazote and willow workshops were an amazing experience to get to know two new materials that I have never used before - Both of which are seen a lot in the carnival industry. By attending these workshops i was able to play with shape and form, as well as develop in my construction techniques to build scale and frame work.



Plastazote - Plastazote is a very light weight material that can be cut relatively easily and is great for creating head dresses due to its flexibility and weight, it means the head dresses are easy and comfortable to wear. It can also be sculpted with the use of head guns and then have extra decoration applied on top of this to create more height, scale, shape and pattern.

When working with plastazote in school it is important to do a prototype to see how the material will shape and mould, when I was working with it i discovered it can be easily manipulated into the shape you want.



Plastazote Head dress - Developing shape
Adding Onto the head dress to create even more height and scale


End of Plastazote workshops - Wave and boat head dress Idea




Willow - I found willow to be a great material for making puppets as well as a cheap way of creating frame work. It does however have a very organic feel as exact smooth shapes cannot be created easily. Working with willow could be a great way to create a large scale puppet however i think for individual costumes this material wouldn’t translate well. It would also mean a lot of the frame work would be done by myself in uni and transported to the school for decoration as I would fear the children will be lost on how to create the correct shapes.



Creating Ball Shapes with Willow

Once Covered it was very clear it wasnt that much of a ball

Developing shapes of seahorses through willow