Showing posts with label SDP001 - Planning. Show all posts
Showing posts with label SDP001 - Planning. Show all posts

Friday, 13 April 2012

Every Penny Counts!

Maths has never been a strong point, and who'd have thought there would be so much math in costume! Budgeting for moving tides has been one of the trickiest and most daunting tasks ive had to do for moving tides. Creating multiples of one costume means having exactly the right materials and measurments, there is no guessing allowed, and then on top of that getting it for the cheapest prices so hunting through suppliers for deals and discounts always helps. This is definatly and area that could not be done last minute, and things will always be moving around. VAT and delivery are another tricky aspect, which suppliers include it, which dont, who ships for free, who charges per iteam. this ius where a lot of my last minute expense came from, forgetting to include VAT and delivery when pricing materials meant i had to revisit ever supplier and price list to get my total value; and at the end of the day this isnt my money, if i mess up this full costume could go bad!





Moving Tides: School Workshops Materials List


Student Artists Name

                                     ANDREW LAYTON
School Name

WESTFIELD
Project Name and basic Description



SEAHORSE COSTUME DESIGN
Number of costumes to be made
13 CHILDREN 3 DANCE LEADERS


Material





Proposed Supplier


Quantity


Cost per item/ sheet


Total per item INCULDING VAT AND DELIVERY
Purchased by Moving Tides (MT) by Student Artist (SA)
(to be completed by Sarah)
A2 LAMINATE POCKETS – 50 PER PACK

BINDINGBAZAAR.COM
2 PACKS
£16.95
£52.38
SA

STRYROFOAM BALLS (PACK OF 20)
LITTLE CRAFTY BUGS
10 PACKS
1.49
£17.86
SA
FLESH COLOURED ELASTIC
EBAY
2 ROLLS
£3.99
£8.78
SA
LINGING FABRIC
CHEAPFABRICS.CO.UK
18 METERS
£1.25 PER METER
£24.49
MT
STRING
WILKINSONS
1
£0.68
£0.68
SA
DYE
WILKINSONS
1
£4.99
£4.99
SA
SALT
WILKINSON
1
£0.48
£0.48
SA
ADULT T-SHIRTS
CHEAPPOLO-SHIRTS.CO.UK
3
£1.79
£6.27
MT
CABLE TIES
PACK OF 100
TOOL STATION
2 1/2
£9.48
£23.70
SA
LAMINATE ROLL
EBAY
1
£9.99
£13.98
SA







TOTAL
£153.61



Monday, 26 March 2012

Learning Agreement


NAME:                                   Andrew Layton      

COURSE:                             BA (Hons) Costume with Performance Design        

UNIT TITLE:                                    Self Directed Project                    

REF. NO./LEVEL:               CSS518

WEIGHTING:                        2.0      

DURATION:                         9 Weeks       

HOURS OF STUDY:          300 Hours    

Unit Leader:                         Adele Keeley/Graham Cottenden



Your Blog address:           www.andrewlayton.blogspot.co.uk



DESCRIPTION:



Working on Moving Tides will allow me to develop skills in the industry of carnival and parade. Creating costumes that will be made and worn by Weymouth school children in the spirit of the sea moving tides carnival. The carnival this year has a strong sea theme and all costumes should be designed to fit this theme. The Moving tides parade will also be incorporated with the Olympic torch relay in Weymouth this year, using the colours of the Olympics as a secondary theme.



Throughout this project I will develop my understanding of costume in carnival, looking at materials, decoration and construction techniques. Researching past carnivals from around the word will be key to creating the costumes for moving tides. I will also be designing on a budget, this will mean experimenting with materials to create cheap yet effective construction techniques and solutions. Planning lessons will be a key part of this project, taking key notes when creating a costume prototype to ensure effective and time managed workshops are applied in schools.



I decided on the Moving Tides project as I wanted to focus on carnival and live performance costume design and construction. It has always been a keen interest of mine to create costumes of unique and individual scale and form; this is key in that of carnival and parade costume. I also feel this project allows for a lot of experimental and sample work, looking at new and alternative materials and techniques compared to those of which would more commonly be used in traditional theatre. This project also allows me to develop skills in budgeting, time management and organisation; working on these skills will help me progress into a more professional mind set.



On handing in this project I will submit a sketchbook of work, this will include research relevant to carnival and parade costume design. Looking at size and shapes often used in the carnival industry, research of relevant materials will be evidence throughout the sketchbook also. Evidence and reports of construction techniques and workshops attended ( willow, headdresses, make up) this will include photographs, sample work, written reports and blog entries. My design development stages will be evidenced with reflective annotations to support my ideas; this will also be supported by suitable sample and experimental work. Alongside my creative sketchbook outlining designs and workshops, I will also be submitting a work book of lesson plans, budgeting sheets and any other official Moving Tides paper work. my costume prototype that will be used in schools will be submitted as a 3d representation of how the design will be realized.







Aims:



A1       To provide opportunities for self-initiated, autonomous learning

            and develop the ability to plan time and work independently



A2       To provide opportunity to study the contextual development of costume and performance design



A3       To further develop the creative, intellectual and practical applications of research and contextualisation within a self initiated environment



A4       To propose, develop and evaluate professional aspirations through professional development planning



Learning Outcomes:

On completion of this unit you will be able to:



LO1     Identify and define the context for the development of your own work towards professional aspirations



LO2     Demonstrate an understanding of the development of Costume with performance design

`

LO3     Have developed the creative, intellectual and practical applications of research and contextualisation



LO4    Consolidate and demonstrate professional aspirations and planning                     





Assessment Requirements:



A body of work consisting of a design sketchbook evidencing workshop preparation, a prototype costume and headdress for a dance leader plus a reflective blog outlining schools workshops and personal development. Under pinned by personal development planning (in your blog journal) and a final written evaluation (750 words) evidenced in your Blog               100%







Each assessment requirement must be passed at a minimum grade of 40% to successfully complete the unit





Assessment Criteria (specific criteria related to the learning outcomes and linked to the statement of generic assessment criteria matrix):           

           

1.   Evidence of knowledge of contextual and theoretical issues – The level to which you have considered the context of your project and evidenced that to your body of work (LO1, LO2)



2.   Evidence of understanding through synthesis and development – The application and extend to which research has informed decision-making and project development together with the appropriate management of time (LO2, LO3, LO4)



3.   Evidence of evaluation and reflection – The extent to which you have reflected on the progress of your project and used it to inform personal development planning (LO4)



4.   Evidence of realisation through the communication of ideas - The presentation of your work and the level to which specialist knowledge has been applied, communicated and evidenced (LO3, LO4)



Reference Material



This will vary according to the needs of the individual project.  You will define Reference Material through personal investigation and consultation with staff and list it in your Learning Agreement.



Carnival! - Barbara (ed) Mauldin

The Venice Carnival - Paolo Alei, virginio (phot) Favale

Theatrical Costume, masks, make-up, and wigs - Sidney Jowers

Masks of the world - Douglas Congdon-Martin, Jim Pieper

Parade of Colours - Cirque Du Soleil







STUDENT……………………………………….DATE………………..



TUTOR…………………………………………..DATE………………..

Wednesday, 21 March 2012

Presenting to the Moving Tides Team

The big day has arrived! designs have been seen by the moving tides team and the make up students that will be working along side our costumes. This was the first time since being on CwPD that i have presented to a group of people that are not just my peers and tutors, got to admit it was a little scary but it went well. i feel i was well prepared to present my design and was confident in my head dress design, this allowed me to translate all relevant information as well as give alternative  suggestions to construct the design.



Presenting my design in both 3D and 2D helped greatly with translating the idea of the head dress and how it will be developed; having the 3D model to show scale and shape and the 2D designs showing the full costume concept and pattern work.




Tuesday, 28 February 2012

A Little To Close To Home?

When I was told I was working with a special school for Moving tides I had a range of ideas and concerns about my abilities to teach disabled students. This was mainly because from the age of 12 - 16 I myself was placed in a special needs school that focused on physical disabilities, Learning difficulties and Emotional and mental disabilities; a fact that after leaving school and continuing onto college I hadn't discussed with many of people. I remember when I first joined my school at the age of 12 I found if very difficult to communicate with the other students in the school, mainly because of my lack of knowledge and confidence around disabled people. I had a strong fear that this lack of confidence around communicating with disabled students would again come through into my teaching, so I felt it would be beneficial getting in touch with my old Art teacher who has been teaching disabled students for around 8 year, my old school friends reconnect with some of our own school memories; as well as starting to work with the breathe together society to build my confidence in being around disabled people again.

On contacting my old art teacher her main advice she told me was the key is to be confident in what your teaching, if you know your subject matter you can talk about for hours!

Talking to old friends from school I came across a lot of mixed reactions and opinions, some of them had decided when school was done it wouldn't really be spoke of, which looking at it now is rather upsetting as it was one of our favourite times and we were such a close unit. Other friends told me of how they felt they struggled through out their school years because of physical disabilities such as being confined to a wheelchair, facial dysmorphia, cerebral palsy. An old classmate told me how coming to school was an escape for her, she spent so much time in hospitals and getting looks in the street that to be in a place special to her needs she was able to be comfortable in herself. She also went on to talk about when we would do shows and workshops she appreciated the fact that she was always being pushed to try go that extra mile, when asked why she responded with "it isn't my disabilities defining me, I could do just as much as you could (if not more)" . This is something I think I will have to remember and keep reminding myself, these kids may be disabled however a lot of them are all still looking for acceptance in everything they do so treating them any different will be under minding their abilities

When first being assigned to Westfield I was playing with the idea of asking to be relocated, thinking I had made a mistake ticking the box that said Special Needs School as I wouldn't be able to deliver confident workshops - however now after talking to people and rediscovering that confidence I had developed by the end of my school years I feel I will be able to use this as a greater advantage and will be able to connect with the children and teachers at Westfield more than I would in any other main stream school.


My School Prom-  A little reminder to never forget the lessons learnt in all aspects of school

Sunday, 26 February 2012

Kinetika Weekend - Day Two, Make up and head dresses

After experiencing silk painting on large scale carnival sales in day one I was excited to focus on Costuming creativity with head dresses and make up in day two.

Head dresses -

Head dresses can be used to create a lot of height in a costume as well as be almost sculptural capturing the essence of the carnival.
when creating head dresses it is important to always remember this is a piece of costume that will be on a performers head for what could be a long period of time; comfort, weight and balance are key elements when constructing head dresses along side the design elements of it.
these elements all have an effect on the materials that will be used in constructing head dresses, a common material that we see in the kinetika head dresses is plastazote; this light weight material is easily cut, comes in a wide range of bright colours, can be decorated and moulded easily, thus making it a perfect material for constructing scale and shape in a head dress. This is also a great material to use with children as it is easy to work with and comfortable to wear.





the laminate head dress seen at the kinetika workshop is a head dress that will translate well with children in workshops. It is a cheap way to create a unique look that is not often seen among carnival. it also allows children in workshops to create there own patterns with in the laminate stencils.  



Make Up


The make up session was very interesting - most people expected to just be face painting however because of speed and mass that needs to be performed most of the make up was applied with stencils.
A range of stencils meant many different patterns could be created quickly and neatly with out having a mass of trained make up artists on hand.
The make up mainly used in carnival is water based this means it is easy to apply and easy to get off after the show.



























Saturday, 25 February 2012

Kinetika Carnival Workshop - Day One

Kinetika is a carnival design team who are known for their large scale silk work and puppetry. There work has been seen all over the world at large events such as the olympics 2008 in Beijing. They are currently working with the moving tides team creating boat sails that will be painted by each school involved in the procession.

Today we have started work on designs for the sails as well as looking a batiking techniques that will be applied in the creating on the designs. Keeping designs bold and colourful was key for these sails - they will be seen from a distance, and small detail will be lost.